Commissioned Painting - Mt. Rainier

Royal Peak

8 x 10 soft pastels on Art Spectrum Colourfix

by Miki Willa

This is my first commissioned painting in a long time. The patron wanted mountain and purple. The mountain I see most from my neighborhood is Mt. Rainier. It has many moods and vistas. This is from the north, slightly east. I wanted to make sure little Mt. Tahoma showed its peak as well. I do love working with purple and I enjoy the challenge of mountain peaks. For all you mountain climbers out there, this is my interpretation from a long distance away. It is not meant to be a climbers guide.

I can now say I have sold two paintings in the great northwest. My studio is ready for more creativity. I am working on preparing myself for more creative time. Just working through some of the nay-saying inner voices. One of my goals is to be more active on the blog again. It may take on a different tone, but it will be a place I will continue to share my creations and my creative process.

Enjoy the beautiful fall.

Art Contests - a rant of sorts

Uptown Glassworks

12 x 18 soft pastels on Kitty Wallis white

by Miki Willa

Plein Air Painting

" Create an art piece between 11:00 a.m. and 3:00 p.m. on August 22, 2009 in the Art Walk vicinity."

How would you interpret that? These were the instructions for a "Quick draw" contest held in conjunction with an art show this past weekend. While my husband, our son and his wife set up and manned our area, I set up my easel to do a painting of a local landmark "in the Art Walk vicinity." I had a great time painting this wonderful old building, working on perspective, and trying to make it look the way I wanted it to look. After a few hours, I felt it was done and got it ready to enter into the auction and contest. We framed it in the prepared frame we brought for just this painting. I took it down to the entry table to turn it in. I should have suspected something was amiss when the people manning the table had no idea what they were to do with the painting.

It turns out I really misinterpreted the rules for the contest. "In the Art Walk vicinity" meant only that you had to paint whatever you painted in the area that day, but it really didn't matter what you painted. It didn't have to have any relationship to the area whatsoever. I don't mind not winning art contests as long as I feel that the same criteria have been applied to every entry. Perhaps I should have verified exactly what they meant. Now, I can see just how vague the statement is. I also didn't realize that friendship counted. Being new in the area, I haven't established friendships in the local arts groups. Oh well, live and learn.

We will be moving on from the venues in this area. There is a good market there for our son's glass art, but none for our pastel art. It will take time to learn about the local market. In Hawai'i, people bought art with different things in mind than people in the PNW, it seems. It also doesn't help that the economy is affecting art purchases. I have observed that art that serves a second purpose is more marketable right now.

In the meantime, I will add the painting of Uptown Glassworks to my glass making series. I have a nice collection of Hugh's glass, and Tom hung some of the paintings above the mantle where a few pieces are displayed. I like the way it looks as it is all tied together. While I had a difficult time with the contest, I had a wonderful day painting and adding to this series.

Patterns in Wood, Art Shows

Door in the Wall

14 x 20 soft pastels on Art Spectrum Colourfix

by Miki Willa

There is an old lumber complex on Lake Washington near the southeast end of the lake. For years there were log booms in the lake where the mill got its raw materials. Later, it was occupied by a wood product manufacturer. Now, it is abandoned. On a recent artist field trip, Tom and I found ourselves wandering these premises to gather reference photos. As we were walking back to the car, I caught sight of this door in the middle of a wall created with concrete and varying wood panels. The window panes in the door reflected the bright sun that was out that day. I fell in love with the colors, shapes and patterns on this wall. I loved the patterns in the wood and the concrete and how they worked against each other. I really liked the brilliance of the reflection in the windows. I relished the challenge of capturing all of this in pastel.

I started this painting by blocking out the shapes. Then I added the darks in the woods so the grain would work. I added lighter values as I came to the surface of the wood in places where the lighter grain showed. I added the door and the light fixture to the left of the door last. I pushed some of the colors to capture the emotions I had when I first saw this wall, especially in the windows. I am happy with this work.

We have done three art shows this spring and summer and have been very disappointed at the outcome. It is hard not to think negative thoughts about my art at this point. I know the economy is not in the right place for people to be buying art that does not serve another function, like serving bowls or quilts. That doesn't help at the moment. Another problem has been the venue in two of them and the timing in one. That, also, does not help. We have two more shows coming up. I am working on being optimistic about both of them. One of them is part of a show billed as an art show. The second one is in an area where I know quite a few people. There is a lesson to be learned in all of this, or probably many lessons. One of them has to be about marketing. Hopefully, I will figure it all out soon and the next shows will be better.

The next show is in downtown Renton, The Arts and Antique Walk. It is next Saturday, August 22. We are on Third Ave. in front of A-1 Locks, across the street from the Western Store.

On September 12 and 13, we will be in Lake Boren Park at Return to Newcastle Days. If you are in the area, I hope to see you there.

Does art have to have deep meaning to be good?

The Warehouse

soft pastels on Art Spectrum Colourfix

by Miki Willa

There are so many people out in blog land who have much to say about what art is and what makes good art. There are quite a few people who have differing opinions on the subjects. I didn't want to be left out, so I decided to jump into the fray.

There is a rather large camp who think that a work by an artist must make a statement about the state of the world in some way in order to be considered "real" art. It is not good enough to be sell executed, or to be visually appealing. As I came across these opinions, I wondered what grand statement about the human condition my art makes. So far, I can't see any.

There is another camp that says to be considered good art, it has to be technically well done. It has to follow all the rules. And, it has to convey the feeling of the artist about the subject at hand. I do try and put my feelings into my paintings.

There are also a group of people who think that anything that smacks of realism is not true art, but merely copying. This seems to have been happening in the world of academe for a while. I have known a few people who were not accepted into university art programs because their art was too "predictable and inside the box." But I like realism. Does that mean that what I like isn't art?

I do have more questions than answers in this discussion. However, I have come up with something I think is important. I think art should be celebration. I should celebration human emotions, the beauty of the small stream or majestic mountain, the ingenuity and resilience of humans, and the ways in which the earth reclaims what humans reject over time. There is much more to celebrate in art, and I guess that is what I think my work does. I celebrate the earth in my landscapes. I celebrate the power of water in my waterscapes. I celebrate glass art makers. Not everyone will agree with me, but that is okay. What is a discussion without opposing viewpoints.

The painting is a celebration of a landmark in Renton, Washington. It has survived earthquakes, fires, and the gentrification of the neighborhood. I took the reference photo on a glorious fall day because I loved the colors on the hillside, and the plume of steam and smoke against the brilliant blue sky.

Acrylic Landscape painting

Sedona Morning

4 x 4 acrylics on clay board

by Miki Willa

When I was in Sedona during my mentoring workshop with Michael Chesley Johnson, I was not really happy with any of the paintings or sketches I did there. I still have trouble with plein air painting. I get overwhelmed with all the possibilities, and my brain becomes so over stimulated I forget all the basic rules of painting landscapes. I will keep working on this problem, but will keep painting in the studio in the mean time.

This small painting is my first attempt at a landscape in acrylic. I have long been fascinated by the brush strokes I see in oils and some acrylics. I really have trouble with the smells associated with oils, so I decided to try acrylics. I painted with them straight out of the tube, and am quite pleased with the results. I love the way I can scumble in a sky and clouds with pastels, so I tried the same approach with acrylics. It worked pretty well. I also like the way the colors could be layered and blended with ease. Of course, I used my fingers at times along with my brushes. That made it really fun for me. I am happy with the way this turned out. I wonder if I can create something I like on a bigger canvas. We shall see.

Show opening in Bremerton

Last night was the opening event for my show in Bremerton, Washington. The venue was Cornerstone Coffee on the corner of 5th and Pacific. It was part of the monthly First Friday Art Walk in the downtown area. The photo above is of the main wall and the table we set up with edibles and drinks. I was really happy with the way the paintings hung on the gold wall. It is a very nice space.

This photo is of two small walls around the corner from the main wall. They can both be seen well from the front window, but are not in direct sun. This is the first time I have had the glass blowing series (minus 2) hanging together. I am very happy about the look they achieve grouped in this way.

There was a very small crowd last evening because of the holiday. Many people had slipped out of town for the long weekend. The people who did drop by were very kind and complementary. My family came to support me, including my sister-in-law from Virginia. (She was my first patron from this show, buying the stormy ocean painting you can see on the table in the top photo.) It was great to get the family together.

My show will be hung until July 31, so if you are in the area, please stop by. Enjoy the paintings and a great coffee or tea drink.

First one-person show opening

Glass Oven

12 x 9 soft pastels

by Miki Willa

You are not seeing things. I have posted this one before, but I wanted to use it to announce the opening of my first solo show coming up this Friday, July 3, 2009. The opening will be part of the First Friday Art Walk in Bremerton, Washington. My venue is Cornerstone Coffee at 435 Pacific Ave. It is within easy walk from the Ferry terminal. I will be showing my glass blowing series as well as my landscapes. The show will hang until July 31. I hope some of you will be able to join me for this great event. I will be serving wine and finger food, if my art alone is not enough to entice you to stop by. I hope to see you soon.