Painting and more

In the Shadow of the Mountain

9 x 12 soft pastels on Art Spectrum Colourfix

by Miki Willa

This scene was painted from a number of different reference photos shot in the shadow of Mt Baker in the late fall and early winter. On my screen, the colors appear a bit darker than they are in real life. I really like the look of the fallow fields with the isolated farm buildings. The tree line in the back is a mixture of evergreens and winter skeletons. This is another painting I will include in my show in July. As the date approaches, I will give more information about the location. For now, I will say it will be in Bremerton, Washington.

I have been studiously avoiding my easel for over a week. I just kept putting off painting while I worked on other things. I have been working on creating a visual journal, and am having great fun creating rather abstractly painted backgrounds using acryllics. I am also learning to do collage. In a few weeks, I will be posting some of them on another blog dedicated to this art form. I am also working through The Artist's Way, again. This time, I am taking time to do the tasks, writing my morning pages, and going on my artist date. I have only been at it for a week, and I am already excited to paint again. I have a bud of new insight about myself as an artist which I will nurture further before I share it here. It is a very profound shift in thinking for me and want to make sure it sticks.

For both of these projects, I am working with online groups and having a great time. For the visual journal, I am working with Kelly Kilmer at A Prompt a Day. There is still time to sign up for the May group. Learn more about this at this site. For The Artist's Way Journey, I am working with Laura Lein-Svencner. See her blog here.

An Eagle's Nest

Black River Eagle Nest

18 x 12 soft pastels on Kitty Wallis Professional White

by Miki Willa

I have decided I need more Northwest landscapes for the show in July. A few weeks ago, we went to the Black River Riparian Forest in Renton, Washington. There is a very large heron habitat there. There is also a pair of nesting eagles. An interesting combination. It was too early for the trees to be fully leafed out, so the nests were all very visible. I decided to paint the trees around the eagle nest because of the contrasts in the colors. I used a very limited palette to create the mysterious air about this fairly unknown place of beauty and wonder.

If you want to read more about the area and the heron colony, go here.

Glass blowing series #7

This summary is not available. Please click here to view the post.

Small Landscapes

Beaver Pond in Spring

5 x 7 soft pastels on Art Spectrum Colourfix

by Miki Willa

This is the first landscape I have done in a while and it was fun to do. I was able to keep it very loose, which was one of my goals. I used a complementary underpainting. I love the way the orange peeks through the greens. I wasn't sure I could put all the information I wanted to include in this 5 x 7 format, but I found it a useful exercise in really looking for what was important. I am always amazed by the work of plein air painters who work in these small sizes. When it stops raining, I will have to get out and try it.

Painting 5 x 7s

Color Rods

5 x 7 soft pastels on Art Spectrum Colourfix

by Miki Willa

On a recent visit to a glass studio, I got a lesson on how color is added to glass art. I won't go into the details here but to say that glass artists purchase color rods in various lengths, colors, and opacities. I happened to spot a few short pieces on a nearby shelf. I was taken in by the colors and the arrangement. I decided to try portraying them in a 5 x 7 format.

Why 5 x 7? I recently had a brainstorm about my upcoming show (July). I decided I would have three to five 5 x 7 paintings for a free drawing. Visitors to the show would fill out a card and drop it in a bowl (glass of course), giving contact information and first choice of painting if they win. At a designated time, I would pull out a card or two, and l would award the painting(s). I think this will be good PR. First, I have to create the paintings.

I have not painted in this size before and it is quite interesting. I had some left over pieces of paper I had been using to test color for larger paintings. I brushed the test colors out and created an interesting under painting. I wanted to keep the strokes fairly loose so it would be in the same style as the rest of the paintings in this series. The reflections of light and of the rods on each other was very interesting to me. I also like the pattern of the shadows. All in all, this was fun to paint. I am not sure the power and intensity of the ovens would work in this small format, but I will have to try.

I also painted a small landscape. I will post that tomorrow.

The Glass Artist

This summary is not available. Please click here to view the post.

The Glass Blowers Garage

The Garage

18 x 12 soft pastels on Wallis Professional White

by Miki Willa

I took the reference photo for this during a recent visit to Viscosity, south of Seattle. Once again, I was intrigued by the geometric shapes and the colors. This particular garage has two openings, but I chose to only do the one on the right because it had a piece of glass parked there. I decided to use a vertical format to stretch the image and give it more interest. I really like the abstract quality that came through in this format. I worked primarily in Ludwig dark purples, reds, and the grays. I also used some Nupastel reds and oranges. The ochres on the glass are Great American. The yellows and golds in the background bricks are a mixture of Ludwig and Great American. I adjusted colors and values as I went which worked out well. My next painting in this series will have a glass blower at work. This will be a challenge for me as I don't normally do figure paintings. Stay tuned for that in a few days.

The glass blowing garage is a place for the glass artist to park pieces he/she doesn't want to cool down, but has to leave for a while. One example of how these are used is when you create a goblet with a stem, bowl, and foot. The separate pieces are parked in the garage until it is time to assemble everything. In the above case, the glass artist was not finished with the process for making a sphere, but needed to take a lunch break. Just amazing what you learn when you hang around artists who work with a different medium than your own.