Green and More Green

Green on the Green

9 x 12 soft pastels on Art Spectrum Colourfix

Miki Willa

This is the Green River in Flaming Geyser State Park, Washington. I did this one using a complementary color underpainting. I should have taken WIP photos to show you some of the amusing problems I had with this painting. When I thought it was finished, I stepped back with Tom and discovered that the river looked as if it were going to slide diagonally off the page toward the bottom right corner. I hadn't paid enough attention to my water strokes. Then I noticed that I had created a perfect formal garden hedge of flowers all along the river bank. The path was all one value from front to back. I decided to wait until this morning to fix all of this. A few carefully placed strokes with my handy-dandy foam brush took out much of the hedge and helped to fix the river. I found my favorite purple for the nearest part of the path. Then I added the strokes in the river to make it show movement in the correct direction. We were there on a very cool early June day when the river was still running high, and I think I captured both the cool weather and the full river.

The title? It was a very lush green place along a river named Green.

Dugualla Flats with tree

Dugualla Flats

9 x 12 soft pastels on Art Spectrum Colourfix

Miki Willa

I know the title of this posting won't get any hits, but I wasn't sure what else to call it. Besides, it took me quite a while to find the name of this place, so decided to use it.

This is a wonderful flat meadow between the main north/south highway on Whidbey Island and Dugualla Bay in the Puget Sound. The white mountain in the background is Mt. Baker. It is done from a reference taken in early spring several years ago. The photo was taken in the morning, thus the long shadows.

I did this painting as a demonstration on using a complimentary underpainting. I put orange under the green field, red under the distant tree covered hill, and dark purple/blue under the water. I did a blue underpainting on the sky because I have not been successful with complements under the sky yet. I used soft pastels and blended them with turpenoid (the stuff in the blue can, not the green one). I put the grazing cows in the far part of the field to give a sense of distance between me, the tree, and the water. I really liked this place. We had fun sketching there from the cab of the truck. As I recall, it was a cold, very early spring morning.

The color of haze

Sound View

9 x 12 soft pastels on Art Spectrum Colourfix

Miki Willa

I finally made time to get back to the studio this week. Since I still have several local monuments to paint, I decided to get the Mt. Rainier painting taken care of. I am not entirely satisfied with it, but I will try and explain my feelings about this Puget Sound icon.

First, some basic information about the mountain. Mt. Rainier is 14,411 feet high, making it the highest mountain in the Cascade Range. It is an active stratovolcano, and it has 26 glaciers. That is the most glaciers on one mountain in the lower 48 states. Parts of it are open year round for hiking and day trips.

When I first moved to the northwest during my college days, in the dark ages, I have been in love with this mountain. Of course, I am not alone in this love fest. It is a part of local lore as well as conversations. "The mountain is out today," is a great weather indicator. The goals of many local residents include climbing the mountain at least once in their lifetime. Many celebrations take place on the mountain, as well as few losses over the years. Going to the mountain for a day trip or a week long camping adventure is a must. Seeing the wildflower meadows in late spring is awe inspiring. The most interesting thing about this mountain is that it appears differently each day and each season.

On a recent trip to the northwest, before moving here, I took several photos of Mt. Rainier from the decks of the Bremerton-Seattle ferry. It looked so big and close in real life. When I got home and looked at the photos, I was disappointed that the sense of proximity and size were completely lost. When I decided to paint it last week, I decided to exaggerate those points. One important point is that the snow cover on the mountain takes on the colors of the sun at each point during the day. Late afternoon and early evening, the reflections are pinks and oranges. I wanted to include that in my interpretation. There is often a haze or low cloud cover masking the base of the mountain and the foothills leading up to it, which adds to the mystique of the mountain, I think. The haze is where I first got into trouble in the painting. I finally went to Daniel Smith's and bought new pastels in the light range, and that helped.

Finally, I am pretty happy about the mountain, but the mid and foreground need something. Any suggestions would be received well.

Painting Details - or not

Virginia's Pond

12 x 9 soft pastels on Art Spectrum Colourfix

Miki Willa

In my continuing journey to become a better artist, I find I am looking more critically at some of my favorite artists to see what they are doing right. I am beginning to see that there is a way that these artists handle details that draws me in. James Gurney wrote a post about what artists include in their paintings that was really though provoking along these lines. One of the artists who handles details in a way I find quite wonderful is Richard McKinley.

McKinley knows just where to include details and where to indicate them. He uses color, line, and light to draw the viewer into his landscapes and details to guide you along the path to the place of most importance. I am fortunate to be signed up for a workshop with him in July. I am looking forward to learning some of his techniques.

Today's painting is done from a reference photo of my friends', Virginia and Jerry, pond in northwestern Washington. Several years ago, they bought a large and wonderful log house on several acres. Thanks to a family of beavers, they looked out from their deck onto a great pond. I have been meaning to paint this for years, but lost the photos until a few days ago. I was drawn to this photo because of the yellow leaf. Tom thinks I need to make the leaf look more like what it is. I am working on it.

Deception Pass

Deception Pass

12 x 18 soft pastels on Art Spectrum Colourfix

Miki Willa

I finally got time to work on a larger piece. I really had fun with this one. This is one of my favorite places in Puget Sound. It is at the northern end of Whidbey Island, and it separates Skagit Sound from the Straits of Juan de Fuca. It was named Deception Pass by Captain Vancouver on one of his exploratory voyages because he was certain it led into a sheltered bay, but found it to be a strait instead.

I am finding that I use totally different greens and blues here. I wasn't frustrated once in finding the right green. Besides, I recently read Richard McKinley's post about greens and tried to apply some of what he said. I think it really made a difference.

I read an article in the latest Pastel Journal about painting local landmarks, and how that is a good thing. I have also seen artists talk about local landmarks being so cliche. For me, I paint what I enjoy seeing or what moves me in some way. I also find that I am painting the kinds of things I am drawn to in other people's art. I was reading Travels With a Sketchbook in . . . the other day, and Katherine was talking about analysing what you like by going to a large exhibition and seeing what you are drawn to. Now, I just have to figure out how to find the right market for what I do. It is time to start marketing my work.

The Olympic Mountains in Spring

Spring on the Sound

9 x 12 soft pastels on Art Spectrum Colourfix

Miki Willa

Summer isn't officially here until this weekend, but we have had absolutely beautiful days yesterday and today. It still feels like spring after unseasonably cold weather. It snowed in the mountains last week. We took full advantage of the sun yesterday, and we drove east to a great park along the Green River. As soon as our computer gets fixed and hooked up to the printer, I will be doing some paintings from this area. In the meantime, I am using photos from a few years ago as reference.

This painting is from a photo looking west across Puget Sound toward the Olympic Mountains.

New Home, New Studio, New Painting

Late Afternoon on the Sound

12 x 9 soft pastels on Art Spectrum Colourfix

Miki Willa

It has been a while, but I am finally set up in my new home and new studio. We moved from Hawaii to the Pacific Northwest. Hawaii is beautiful, but this place is quite wonderful. The mountains, tall evergreens, Puget Sound, and my incredibly beautiful back yard all call to me. My studio is great with fantastic natural light, even on these gloomy days of June.

My first painting in my new studio is from a reference photo my husband took of a small ferry coming into port on Whidbey Island. I loved the way the cloud colors reflect on the water. I am adding this to my cloud series even though the sky is not the focal area.